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April 13, 2008

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Laura

I wonder about the real reason for this... Obviously the Board saw a deficit in the balance sheet, but I always thought of NYTW as being a fiscally sound company. Are ticket sales down? Did they make bad investments along the way? I think the finding the "real reason" will give everyone a heads up as to what they should expect for other NY theater companies.

Scott Walters

How's about "suicide"?

Laura

Okay, Nevermind, It looks like my question has been answered at ecotheater:

"All of us in production are bearing the brunt of an organization which lacks the ability to enforce any thing resembling fiscal constraint with respects to the work that occurs here, as well as an organization which cannot effectively self govern its own desires."

I still want to know where the $ went... It's a nonprofit. How about some public accountability?

Michael Casselli

The staff was fired, the department eliminated, and restructuring ideas are to either hire seasonally of on a show by show basis.

Michael Casselli

The staff was fired, the department eliminated, and restructuring ideas are to either hire seasonally of on a show by show basis.

anon

As someone coming from a theatre where even the PM is freelance, was it really fiscally sound to have a salaried ME? That seems sort of odd. Not that it isn't fantastic for production staff to have salaries and benefits and be able to live livable lives. Just wondering if this ugly, drastic step is an abrupt normalization.

Michael Casselli

Anon,
To balance the labor of the theater on freelancers frees up the institution from providing basic coverage to a workforce that sorely needs the protections of benefits and job security. How is it normalizing to take those provisions away from the production staff but still think of it as status quo for administrators? By accepting these types of shifts in the landscape of the arts and the arts provides a complicity that in the long run benefits nothing but the bottom line. This is disgraceful, especially in a field that purports to examine the very culture that is allowing this change.

Michael Casselli

A bit of a typo there I didn't catch Should read "By accepting these types of shifts in the landscape of the arts we only provide a complicity that in the long run benefits nothing but the bottom line."
Should of done a preview before posting.

anon

I meant that maybe it wasn't NYTW becoming horrible, just sort of stopping being exemplary, and sinking to average.

Rocco

Could this have anything to do with RENT closing? Hasn't that been a major cash cow for NYTW for the past 10 years?

anon

It could have something to do with the money-wasting involved in bringing big name stars from Broadway, Hollywood, and Europe to do overpriced work that is ultimately mediocre.

NYTW should be focussed on bringing smaller independent companies that are self-contained and who actually have a vision, instead of hiring names to make garbage.

And yeah, it probably has to do with RENT closing.

anon

BRING THE UNION TO NYTW. It's time to organize.

RobertK

This whole "building new STUFF while we downsize" incident reminds me of a Manic Street Preachers lyric in "We Are All Bourgeois Now". Namely, "The people were grey, the buildings looked healthy".

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